Research and inspiration behind the book
Draca, the novel, is now sailing towards its pre-orders target with publisher Unbound. The eponymous Draca is a classic sailing boat, central to the plot. Those who know me well have asked how a landlubber like me could write the maritime passages. After all, ten years ago the only thing I could remember about sailing was a bushy-bearded instructor bellowing at me. I think he was saying “when you see the seagulls walking, it’s time to go about.”
Confession time. In a previous post I described how the idea for the book was born, anchored in a natural harbour on England’s South coast. The next time I sailed, with the same friend, the concepts for the book had formed to the point where we’d divert our course, on entering a harbour, to take a closer look at any classic sailing boats nearby. Old boats seem to have more personality, and I needed to find a type that was probably pre-war, and of a size that could just about be sailed single-handed if the skipper was fit and knew his stuff. Yet it was online research led me to Bristol Channel Pilot Cutters, the model for Draca.
Pilot Cutters – hard working, classic sailing boats
Pilot cutters were built to wait for ships to arrive off a port; pilots earned good money guiding vessels into harbour. With the pilot there’d be a mate, a seaman, and perhaps a boy. Cutters were robust enough to wait offshore in all weathers, perhaps for weeks. They had neither the belly of a fisherman nor the sleek lines of a racing yacht, but they needed speed. The first cutter to hail and offer their services would get the job. The cutter would follow the ship into harbour, recover their pilot, and go back to sea until the next ship. Sailing cutters fell out of use after telegraphy meant a ship could signal ahead. By then a steam powered launch could rendezvous faster, and against the wind.
A Yachtsman’s Log
Then I discovered ‘A Yachtsman’s Log’, written by Frank Carr for a readership with salt water in their veins. It’s a fascinating insight into sailing his cutter, the Cariad, in a technologically simpler time. No radar, no echo sounders, not even simple mechanical tools like winches to hoist sails. It was a time when fog at sea meant true blindness, navigating by dead reckoning among the tides and rocks, with the unseen bells of buoys to guide you if you were lucky. There are passages that are quaint by today’s standards; picture four men, after a sailing trip, taking the cutter’s dinghy up the Thames to work in the City, all shielding their starched collars from the wilting spray with their bowler hats.
But one of those men also wrote about life-threatening crises at sea with self-deprecating charm. Frank Carr was very much a certain type of Englishman from that age of sea power and Empire.
So if anyone questions how a pilot cutter handles in a storm, I have it, chapter and verse. And if anyone says it’s impossible for a boat to even survive a particular situation, then I beg to differ. A plucky chap called Frank Carr left me his log. And he’s certainly not one to boast.
Links and further reading
A Yachtsman’s Log by Frank G G Carr was published by Lovat Dickins and Thompson in 1935. You can see his boat the Cariad, now restored, at http://www.cariad.org
Draca is a novel about a war-damaged Royal Marine who rebuilds his life by restoring an old sailing boat. For a synopsis, click here and for an extract, click here . It will be published by Unbound when the level of pre-orders passes their threshold. We’re already over 70% there. After publication, half the royalties will go to the veterans’ mental health charity Combat Stress.
Please support Draca here. Pre-orders are £10 for an ebook and from £15 for a paperback, and all supporters’ names appear in every edition.
Thank you. You’ll be helping me to help those whose wounds are more than physical.
The response to the launch of DRACA’s crowdfunding with publishers Unbound has been brilliant. Humbling, in fact. Sponsors range from old friends, to enthusiastic readers of Saxon’s Bane, to those who simply want to help our veterans. Half the royalties, after all, will go to the charity Combat Stress. Together, these sponsors have given DRACA a great start; Unbound say projects which reach 30% of target in the first month tend to succeed. DRACA reached 38% in two weeks.
We’re missing a character
But looking over DRACA’s project pages at Unbound, someone is missing. Jack is there, in quite a long extract. And here. Jack’s the book’s flawed hero who’s haunted by his past. But there’s not a glimpse of George, the pint-sized yachtswoman who’s made her own way from foster homes to be manager of the local boatyard. It’s George who comes to believe that there’s something more sinister even than post-traumatic stress shaping Jack; to her, his obsession with the old sailing boat, the DRACA, becomes possession; the boat owns the man.
So to redress the balance, I’ve posted another extract from the book. Here’s George, getting her first glimpse of Jack’s family at his grandfather’s funeral, and showing the feisty attitude that defines her character.
You can help
Please support DRACA at Unbound now. Think of it as a pre-order. Pledges range from a single ebook to a book group bundle, and every sponsor’s name will appear in every edition of the book. Help me to help those, like Jack, whose wounds are more than physical.
Thank you for making a difference.
I’ve been enthusing to friends about Thursday’s crowdfunding launch of my novel DRACA with publisher Unbound, in support of the veterans’ charity Combat Stress. Not everyone ‘gets’ it. Typical conversation:
FRIEND: “Great! Sounds fantastic. I’ll buy a copy. In fact, put me down for four. Presents for the family.”
[MEANINGFUL PAUSE BY AUTHOR]
FRIEND: “Oh, you mean I need to buy them now?“
AUTHOR, OPENING IPHONE: “Yup. Let me show you. Click here “
So here’s how crowdfunding publishing works:
Unbound select a manuscript (and with a Man Booker longlister to their credit they’re VERY selective!) but like all publishers they can never be sure which books will succeed. We live and write in an age of huge publishing ‘noise’; about 500,000 English language titles a year hit the market.
So Unbound make the author build support before they publish. In my case, that means ‘pre-selling’ about 500 books. With that lower risk, they pay high royalties, which is excellent news for the veterans charity Combat Stress, who get 50%. (The rest is the budget for fees, taxes and promotion.) The bad news is that I don’t even know 500 people, and I’m staring at Pledge Mountain.
What you can do:
- Click on Unbound here
- Pledge your support. Think of it as a pre-order.
- Spread the word.
Thank you for helping me to help those whose wounds are more than physical
In case you missed the announcement:
DRACA is the story of a war-damaged veteran of Afghanistan who struggles to rebuild his life by restoring an old sailing boat, while his dysfunctional family push him ever closer to the edge. It is a subtle, ambiguous ghost story in that the reader must decide whether he is haunted by his past, or just haunted. Half the royalties to to Combat Stress. I’m crowdfunding so that contribution is financially meaningful. See full post here.
Publishers Unbound have accepted DRACA. I’m sharing royalties with veterans’ charity Combat Stress. You can help make it happen.
Unbound are a new and fast-growing force in publishing. They won the Bookseller Book of the Year Award in 2015, and their recent successes include the Sunday Times Bestselling ‘Letters of Note’ and the Man Booker long listed ‘The Wake’. Unbound have a revolutionary publishing concept; they team with an author to build support before publication, which lets readers decide what is published. You can join the DRACA community – and see your name inside the cover.
Draca: supporting Combat Stress
Combat Stress help former servicemen and women deal with issues like post-traumatic stress, providing specialist treatment and support to give veterans hope and a future.
Early endorsement has come from Vice Admiral Charles Style, a former Deputy Chief of the Defence Staff, who says Draca is ‘a powerful and gripping story, wonderfully told. It’s brilliant that a book of this calibre is offered in support of Combat Stress.’
Building the DRACA community
You can subscribe to the publishing of the book, secure your own copies and other privileges by clicking here:
You’ll find a synopsis, an extract, and a video. There’s a Q&A, so go on… challenge me! Naturally, there’s also a chance to pledge your support. This can be as little as one ebook, or as much as a bundle of signed copies for a book group. All supporters will see their names inside every edition of the book.
So please help me to help the heroes like Jack whose wounds are more than physical.
AND! Share this post, reblog, tweet… let’s get the word out.
Thank you for making a difference.